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Product ID: 128938

Items Remaining: 1

 

31.5" W x 23.6" H x 0.8" D

view in metric units

 

Weight:  2.2 lbs

 

Acrylic on canvas

Arrives unframed

Signed by the artist

Stretched

 

Ships from NOVICA Office in Brazil.




'1950 Chevrolet'

Traveling a mountain highway, a venerable old pickup truck makes yet another trip taken so often over the past half century. Candida Ferreira depicts a 1950 Chevrolet, its polished chrome trim shining in the Brazilian sunlight. "To maintain the old is to respect evolution without a disdain for the fundamentals, because evolution and a process of selecting from yesterday is tomorrow's growth," she says of the classic antique.

Titled "Chevrolet...

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'1950 Chevrolet'

Traveling a mountain highway, a venerable old pickup truck makes yet another trip taken so often over the past half century. Candida Ferreira depicts a 1950 Chevrolet, its polished chrome trim shining in the Brazilian sunlight. "To maintain the old is to respect evolution without a disdain for the fundamentals, because evolution and a process of selecting from yesterday is tomorrow's growth," she says of the classic antique.

Titled "Chevrolet 1950" in Portuguese.
Your Price: $447.95
Retail Value: $886.95 (You save 49%)
 

Candida Ferreira

Candida Ferreira

"I like to work during the most silent hours. Before dawn I am already painting, and then I realize that the sun has risen and the day has begun."
Candida Ferreira is featured in Keepers of the Arts, a beautiful hardcover book available through Novica.

"My relationship with painting started when I was just a small child. Seeing my interest,...

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Candida Ferreira

Candida Ferreira is featured in Keepers of the Arts, a beautiful hardcover book available through Novica.

"My relationship with painting started when I was just a small child. Seeing my interest, my parents regularly bought me canvases, paints and pencils.

"Painting became even more important to me after I got married. My husband Claudio and I moved to Minas Gerais, in the mountainous southeast of Brazil. To kill the solitude, I painted while my husband worked. I painted with a very academic style then; today, I paint with freer, unorthodox strokes.

"Learning to paint was a very solitary process for me. I believe that it is necessary to work, to work and to work, and that it is only through learning from errors that we learn to do right.

"I try to represent Brazil in my work by using quite a lot of color. I find inspiration in the images that surround me in my daily life, like magazines and history books. I sit down in front of the canvas and I start to draw, to mix my paints, and little by little a new work appears. It's the best thing in life, an inexplicable sensation. I like to work during the most silent hours. Before dawn I am already painting. Eventually I realize that the sun has risen and the day has begun.

"I am thankful to have had the opportunity to attend some of the most renowned fine-arts schools in the country. I was also fortunate to receive training from the famous artist Fernando Tupper. My paintings have been awarded various gold, silver and bronze medals at various expositions."

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