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Product ID: 133285

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36.6" W x 24.4" H

view in metric units

 

Weight:  0.9 lbs

 

Oil on canvas

Arrives unframed

Signed by the artist

Unstretched

 

Ships from NOVICA Office in Indonesia.




'Evolution' (2006)

Made Surita paints a mystical work in a modern expression of Balinese tradition. "To show respect to god, Bali's Hindu people make offerings," he explains. "They sacrifice a certain animal in a ritual ceremony and offer it to god. The fish and duck in this painting are two of these animals and are believed to have a better future in the next life. For example, in the next reincarnation, the fish or the duck could come back as humans because of good...

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'Evolution' (2006)

Made Surita paints a mystical work in a modern expression of Balinese tradition. "To show respect to god, Bali's Hindu people make offerings," he explains. "They sacrifice a certain animal in a ritual ceremony and offer it to god. The fish and duck in this painting are two of these animals and are believed to have a better future in the next life. For example, in the next reincarnation, the fish or the duck could come back as humans because of good things they have done in a previous life. The one who carries out the sacrifice is believed to have prosperity in life, symbolized here as a bird carrying rice in its beak, and will get a clear path to heaven when he dies. I represent them as two human figures in the upper right."
Your Price: $957.95
Retail Value: $2004.95 (You save 52%)
 

Made Surita

Made Surita

"A style of my own? I discovered it by combining the different existing wayang styles…."
"I was born July 27, 1951 in the village of Payangan. My father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, I started to draw zealously, picturing nature and people with cult functions.

"In...

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Made Surita

"I was born July 27, 1951 in the village of Payangan. My father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, I started to draw zealously, picturing nature and people with cult functions.

"In 1968 I enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, I was able to finance my study through the paintings I was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped me master batik techniques.

"The years between 1971 and 1988 represented a period of doubt for me, a quest for my own soul. From time to time I sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, I eventually discovered my own personal painting style based on Balinese culture.

"A style of my own? I discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.

"Elements of both styles were subordinated to my own subject matter – the culture of Bali or daily life as it is determined by religion. In my most recent paintings, I link up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and my technical finish to the traditional Ubud style."

Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).

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