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Product ID: 96074

Items Remaining: 5

 

Each:

   15.9" W x 13.4" H

view in metric units

 

Weight:  0.3 lbs

 

Ink on paper

Arrives unframed

 

Ships from NOVICA Office in Mexico.




'Colonial Palaces II' (pair)

The rustic charm of small colonial towns pervades these elegant lithographs by Guillermo Fernández de Castro. Carved wood portals from highland forests line the cobblestone streets of Tapalpa, an alpine village in West Central Mexico. Stone portals grace the verdant patio of La Guátapera in Uruapán. Founded about 1540 by Franciscan priest Juan de San Miguel, it was originally destined to be a hospital and chapel. The lithographs reproduce the artist's...

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'Colonial Palaces II' (pair)

The rustic charm of small colonial towns pervades these elegant lithographs by Guillermo Fernández de Castro. Carved wood portals from highland forests line the cobblestone streets of Tapalpa, an alpine village in West Central Mexico. Stone portals grace the verdant patio of La Guátapera in Uruapán. Founded about 1540 by Franciscan priest Juan de San Miguel, it was originally destined to be a hospital and chapel. The lithographs reproduce the artist's original watercolor paintings.

Titled "Palacios coloniales II" in Spanish.
Your Price: $34.95
Retail Value: $59.95 (You save 42%)
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Guillermo Fernandez de Castro

Guillermo Fernandez de Castro

"My activities go hand in hand – my wife and children, art, music and architecture are my great passions."
"I am Guillermo Fernández de Castro, but everyone calls me Willy. From the time I was a boy I've been involved with art, thanks to my paternal grandfather Octavio Fernández de Castro. An extraordinary painter and a master at oil on canvas, he guided...

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Guillermo Fernandez de Castro

"I am Guillermo Fernández de Castro, but everyone calls me Willy. From the time I was a boy I've been involved with art, thanks to my paternal grandfather Octavio Fernández de Castro. An extraordinary painter and a master at oil on canvas, he guided my first drawings.

"I studied architecture at university, and my thesis was titled 'Center of Astronomical Observation.' It was there that I fell in love with my country's colonial architecture and where I began my first pencil sketches. After graduation, I got married and continued my career as an architect. At the same time, I ventured into watercolors as a self-taught painter and eventually developed my own style. In 1992, I began to work with acrylics, creating paintings of my own inspiration, and today I am working with oils in large-scale abstract works.

"My activities go hand in hand – my wife and children, art, music and architecture are my great passions. I've participated in many exhibits, both in and outside Mexico, also showing my drawings, silk screen prints and engravings. In 1979, I mounted the first of 18 solo exhibits, which include showings in La Joya, California; Dallas, Texas; and Saginaw, Michigan.

"Among my works, I've developed 30 portfolios with different architectural themes and their descriptions. Each contains from six to ten drawings or watercolors. I also offer a series of reproductions, and in 1995 I added a series of postcards with the objective of making Mexico's colonial architecture better known."

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